Before we could leave Bayeux, there was one final challenge: packing the Bigster. Somehow, four adults, all of our luggage and a growing collection of French treasures had to fit. With a little strategic stacking, some creative rearranging everything found its place. Once the hatch finally closed, we pointed the Bigster toward Rouen, ready for the next chapter of our French adventure.

The drive is an easy one — about two hours (125 miles) with most of the journey on modern divided highways, including the N13 and the A13 autoroute, France’s oldest motorway.
As the miles rolled by, the landscape gradually shifted from peaceful farmland and apple orchards to the bustling Seine River valley. It was the perfect transition from Normandy’s wartime history to Rouen, a city famous for medieval streets, towering cathedrals, and the story of Joan of Arc.
One of the little surprises in Rouen was the city’s brightly painted intersections. Instead of ordinary crosswalks, splashes of colorful geometric designs transformed several streets into works of art. They’re beautiful, they slow traffic and they perfectly reflect Rouen itself — a city where medieval history and modern creativity comfortably share the same streets.


The Palais de Justice is one of Rouen’s most recognizable landmarks. The countless pockmarks covering its stone façade are scars from World War II. Allied bombing targeted the nearby rail yards in preparation for the D-Day invasion. Some bombs struck the courthouse, damaging part of the building and peppering its Gothic limestone exterior with shrapnel. Rather than erase every trace of the damage during restoration, many of the scars were intentionally left visible as a reminder of the destruction of war.


During restoration, local artist Jan Vormann installed tiny, brightly colored LEGO bricks into a few of the holes as part of his worldwide Dispatchwork project. The playful patches symbolize healing and resilience — using something associated with childhood to “repair” the wounds left by war. It’s not hard to spot the little LEGO repairs tucked among the centuries-old stone.



We wandered beneath Rouen’s famous Gros-Horloge, a magnificent golden clock that has been keeping time for the city since the 1300s. Suspended above the bustling pedestrian street, its single hand, moon-phase display and gilded sun remind visitors that people measured time very differently in the Middle Ages. Standing beneath it, surrounded by centuries-old half-timbered buildings, it felt like walking through the pages of history.


Rouen’s Rue du Gros-Horloge is more than a shopping street — it’s a walk through history. Stretching from the cathedral to the square where Joan of Arc met her fate, the cobblestone lane is lined with colorful half-timbered buildings, inviting cafés and charming boutiques. It’s hard to believe this bustling promenade has served as one of Rouen’s main streets for centuries.




We stumbled upon a building where giant white teddy bears seemed to be escaping through the windows. The playful display at Bistro Marcel has become one of the city’s most photographed oddities. No one seems to know exactly why the bears are there — and perhaps that’s part of the charm.

Rouen Cathedral is one of France’s greatest Gothic masterpieces and has stood at the heart of the city for nearly a thousand years.

The cathedral became world-famous through the work of Claude Monet, who painted it more than 30 times in the 1890s. Rather than depicting the architecture itself, Monet captured how the façade changed with the shifting light throughout the day — at sunrise, midday, dusk and in different weather. Those paintings are now scattered among museums around the world and helped make the cathedral an icon of Impressionism.


Inside, the soaring vaulted ceilings and slender columns draw your eyes upward, creating the sense of height and light that Gothic architects sought to achieve. The cathedral is also the burial place of Richard the Lionheart — or at least his heart. After his death in 1199, his heart was placed in Rouen as a tribute to the duchy of Normandy, while the rest of his body was buried elsewhere.



One of the biggest surprises inside Rouen Cathedral was discovering the giant stone statues standing in the choir. They weren’t originally meant to be there. For centuries these medieval figures watched over the city from high on the cathedral’s façade, but pollution and weather slowly eroded the stone. To preserve them, the originals were brought inside and replaced with exact replicas outdoors. Seeing them at eye level was amazing — you could finally appreciate the intricate carving and the immense scale of sculptures that had once seemed so small from the street below.


One of the most moving works inside Rouen Cathedral was the statue of Joan of Arc. Her hands are bound, chains wrap around her body, and flames rise at her feet, yet she clutches a cross and gazes downward with remarkable peace. Rather than showing the violence of her execution, the sculpture captures her unwavering faith. Standing in the very city where she was condemned, it serves as a powerful reminder that history can change. The place that once judged Joan now reveres her as one of France’s most beloved saints and symbols of courage.

The modern Church of Saint Joan of Arc is one of the most striking buildings in Rouen because it deliberately contrasts with the city’s medieval architecture. Completed in 1979, it stands beside the exact location in the Place du Vieux-Marché where Joan of Arc was burned at the stake in 1431. Rather than trying to recreate a Gothic church, architect Louis Arretche designed something entirely modern that would symbolize both remembrance and hope.



The dramatic roof is the first thing you’ll notice. People describe it in different ways. Flames rising into the sky, representing Joan’s martyrdom; the hull of an overturned Viking ship, a nod to Rouen’s Norman heritage and an ancient Christian symbol of the Church as a vessel of refuge. Some also see billowing sails catching the wind.
Standing in Place du Vieux-Marché is an emotional experience. The modern Church of Saint Joan of Arc rises like flames — or perhaps the sails of a great ship — while just outside, a simple cross marks the place where a 19-year-old Joan met her fate in 1431.
There are also the remains of the old Saint-Sauveur Church which was uncovered during redevelopment of the square and preserved as archaeological ruins within the plaza.

Today the square is filled with cafés, flowers, and laughter. It’s a beautiful reminder that history isn’t erased by time — it simply becomes part of the life that grows around it.
With Rouen in the rearview mirror, we pointed the Bigster toward Paris. The change in weather was impossible to miss. Normandy had spoiled us with cool breezes and comfortable temperatures, but as we headed south, the mercury climbed steadily. Paris was in the midst of a full-blown heatwave and we knew our sightseeing would come with an extra side of sweat.
Before tackling the final leg of the drive, we lingered over lunch at a café on one of Rouen’s lively squares, soaking up one last taste of Normandy. Then it was time to hit the road. Our medieval adventure was behind us, and the City of Light was waiting.
















































































































































































































































































































































































































































































